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BIOGRAPHY

Karabo Tshinakaho Glory Monyemangene (b. 2003, Polokwane) is a Johannesburg based

interdisciplinary artist working across video, performance, printmaking, photography,

and installation. Currently completing her Bachelor of Fine Arts at the University of

Witwatersrand, her practice navigates Black interiority, memory, misrecognition, and the

layered process of becoming.


Often turning to the personal and familial archive, Karabo creates space for complex,

shifting identities and the tension between presence and absence. Central to her practice

is the Setlokwa concept of “Re gona” a grounding philosophy that maps a deep sensitivity

to the fluidity of identity and intimate

histories.

Artist

Statement

BIOGRAPHY

Karabo Tshinakaho Glory Monyemangene (b. 2003, Polokwane) is a Johannesburg based

interdisciplinary artist working across video, performance, printmaking, photography,

and installation. Currently completing her Bachelor of Fine Arts at the University of

Witwatersrand, her practice navigates Black interiority, memory, misrecognition, and the

layered process of becoming.


Often turning to the personal and familial archive, Karabo creates space for complex,

shifting identities and the tension between presence and absence. Central to her practice

is the Setlokwa concept of “Re gona” a grounding philosophy that maps a deep sensitivity

to the fluidity of identity and intimate

histories.

Artist

Statement

BIOGRAPHY

Karabo Tshinakaho Glory Monyemangene (b. 2003, Polokwane) is a Johannesburg based

interdisciplinary artist working across video, performance, printmaking, photography,

and installation. Currently completing her Bachelor of Fine Arts at the University of

Witwatersrand, her practice navigates Black interiority, memory, misrecognition, and the

layered process of becoming.


Often turning to the personal and familial archive, Karabo creates space for complex,

shifting identities and the tension between presence and absence. Central to her practice

is the Setlokwa concept of “Re gona” a grounding philosophy that maps a deep sensitivity

to the fluidity of identity and intimate

histories.

Artist

Statement

BIOGRAPHY

Karabo Tshinakaho Glory Monyemangene (b. 2003, Polokwane) is a Johannesburg based interdisciplinary artist working across video, performance, printmaking, photography, and installation. Currently completing her Bachelor of Fine Arts at the University of Witwatersrand, her practice navigates Black interiority, memory, misrecognition, and the layered process of becoming.


Often turning to the personal and familial archive, Karabo creates space for complex, shifting identities and the tension between presence and absence. Central to her practice is the Setlokwa concept of “Re gona” a grounding philosophy that maps a deep sensitivity to the fluidity of identity and intimate

histories.

Artist

Statement

BIOGRAPHY

Karabo Tshinakaho Glory Monyemangene (b. 2003, Polokwane) is a Johannesburg based

interdisciplinary artist working across video, performance, printmaking, photography,

and installation. Currently completing her Bachelor of Fine Arts at the University of

Witwatersrand, her practice navigates Black interiority, memory, misrecognition, and the layered process of becoming.


Often turning to the personal and familial archive, Karabo creates space for complex,

shifting identities and the tension between presence and absence. Central to her practice is the Setlokwa concept of “Re gona” a grounding philosophy that maps a deep sensitivity to the fluidity of identity and intimate

histories.

Artist

Statement

BIOGRAPHY

Karabo Tshinakaho Glory Monyemangene (b. 2003, Polokwane) is a Johannesburg based interdisciplinary artist working across video, performance, printmaking, photography, and installation. Currently completing her Bachelor of Fine Arts at the University of Witwatersrand, her practice navigates Black interiority, memory, misrecognition, and the layered process of becoming.


Often turning to the personal and familial archive, Karabo creates space for complex, shifting identities and the tension between presence and absence. Central to her practice is the Setlokwa concept of “Re gona” a grounding philosophy that maps a deep sensitivity to the fluidity of identity and intimate

histories.

Artist

Statement

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

.html

whoiskarabo?


can_i_hold__the_mic__.mp3


seriti : le kae?


rena : ____________

ke gona

re gona

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